##CONTINUE##
2009年12月31日 星期四
2009年12月28日 星期一
Zhang cook sea full joy denon Party 2009-12-20 Free Supplements
Internet matures, the information explosion, rapid changes in social manners, and many cultures we have not updated fast enough to understand the retreat popular, easy access to voice and become irrelevant, copy the message everywhere. ##CONTINUE##the surface is a well-developed age of information, but because it easily copied into a large unified message to rubbish dump.
In such circumstances, are actually easy to move with the trend. Students from years of operations and reports can be seen, we were almost caught paste the creativity and thinking gradually see that this is where we are modern.
Extracted from the issue of Style
Each era has its own problems to face, in other words will be different because they create their own cultural style. Looking back to see the past, we have experienced, the total number of works across a number of times, in the Calvary different time points in the form of a contemporary re-presented in people's eyes.
"Romeo and Juliet" in 90 years to YA in the form of films capture people's hearts again in 2005, "The Peony Pavilion" is also dragged into the modern theater and the people of the world meet. We can present a matter for the reading level of the listener is shaken, but the creator is to draw the line in terms of the reconciliation between the old and new, this process can present a contemporary character to the others, leaving some of the era of the label , so that old in the new segments continue to ferment, it should be an important issue relating to heritage.
In my own band orchestra hospitality, traditional music how to maintain the state of nature presents a new style, modern musical instruments how to play a balanced media is very important. Traditional and contemporary instrumental music's own characteristics play France in imitation of each other under the original in the field often become grotesque. Often heard playing music of the old gentleman who said that our hands Hsiao Shih-wei, erhu playing is not music, but also young people often say that we is not rock, but also because so difficult to imitate and create a unique musical qualities.
How to prolong the effects of work
Poet Sciascia about me to do a stage performance at the Earth God Temple drama "boiled the sea people."But when she mentioned the story Sheng Chu Hai, when actually I have no impression. Find great God asked google, memory of the source should be 20 years ago, every Saturday at noon on TTV's "Chinese Folk Tales" and the Echo Press, "Chinese fairy tale." "Chinese fairy tale" is the sixth grade, I read an important experience, a story every night before bed so that part of my childhood memories are very good. In the dim bedside lamp, Mickey Mouse pajamas, as well as air, electric mosquito faint smell of that moment in that comfortable bed imagination, aggressive and focused.
Reading is older. What not to say that need to occur in any age to read better, but the reading itself will stay the age label. The age of five with the 35-year-old little jingle when the duo啦A dream left me a different traces.
Shanghai Dragon King daughter loves the young scholar Zhang, Gao Ren instruments used by the help of the usual cooked punishing waves of the East China Sea Dragon King, the last lovers Chengjuan Shu, the protagonist has a perfect ending. It is said to Yuan dynasty drama, but is also the coast, is the Dragon King, and that Chinese flavor, the hearts of the Yuan Dynasty's fairy tale should be a kill down the mapi, such as a cyclone swept away the general's daughter, his father disappeared in the desolate desert of this situational Cai Dui.
The flow of time, the work continued a relationship with the reader, leaving behind a lot of stories Extension, as the various life experiences in the spices or the spindle. A book, a poem about the story of a life constantly staged work life is really like and readers together.
As a grown up and their direct contribution to society without the creation of people, when I was in the implementation of various projects, we tend to vaguely remember reading a child's sense of attachment to work can have on how to stretch the long-tail effect, or continuation of life from the thought of a better value.
Outdoor event the front of the temple land
Na, Chang put the band over the years with the hospitality, whether it is an important local Matsu, or ridge edge small enough to be ignored by the Three Mountain Kings, for hospitality is the main place of performance and activities. However, in this field in the domain you want to import modern drama is, indeed, difficult to dig out a standard of imagination, just a stage next to the shrimp fishing lamp brightness and "Dong Dong ㄘ ㄘ" music let me play several question marks.
Outdoor theater needs a strength, strong to be squeezed out around the affected level. Look at our outdoor culture of Taiwan in the land, which is not a fierce and powerful? Significance at the local temple and functions are often beyond our imagination, whether it is in the past or modern times, the temple and cultural activity of the pulse of the times are always biting. Ye Hao said that it maintain the cultural heritage, or cultural recycling Ye Hao, at least in my mind the intensity of this temple has been maintained at a concentration inside.
Because of this, when a non-temple system performance which should be entered when the link with the need to deal with resistance are extremely complex, and even the music, co-ordination work needs to done their homework. Fujian, Guangdong and along the north-south pipe is important in life through music genres, but the character of the north tube of vigorous outdoor culture of continuous transformation, such as the evolution of general, on the streets with loudspeakers on, with the lion dance troupe, the Guangdong faction to join the Lion Drum more of the scriptures on the preparation of group singing segment, and even to the most recent I've even seen babes Latin drums, thousands of colorful feast. In the north tube outside the body to see into the internal forces of a pluralistic and inclusive, an innovative attempt to aggressive, which is already solid in the way of Taiwan's culture, the world only if we have.
The integration of traditional and modern
Therefore, the integration of traditional and modern will be imperative. In music a variety of styles in the independent music scene for many years will be familiar to musicians Lin Qiang, from the debut since the beginning of each period is always capable of pulling direction of contemporary popular music: whether it is the first "move forward" or mid-term pluralistic "entertainment world", until now electronic, "Awakening of Insects." Most of the recent music of the picture with a strong sense, although the form with the changing times, but have not always been the core of the intense narrative shaken solid convey his Buddhist attitude and humane care.
Also in the "underground society", read the younger generation of high-tech electronic orchestra,"undercooked friend party" performances, denon main parties, but say that in fact they deliberately narrowed diverse music content. Dance in the consumer electronics world, most of them are DJ plus a trun table to start everything up, play a few instrumental live ammunition. "Undercooked Friends Party" Inspired started their instrumental capabilities, focus its efforts on the part of dance, such a thematic axis of music is worthy of attention.
Hospitality of the band's drummer and singer Cheer Chen Zhong up the album producer Zhong-hu, the two brothers were remarkable contribution to Taiwan's music. Dage music from the early concept of sub-pits, hand over the band, all the way to today's "hospitality band", in addition to the creation of music outside the cultural history of Taiwanese music should have to leave his name. He spent a lot of effort in the design of Hakka music and drum and evolution, whether it is software or hardware. Collection of East and West "Da Drum" has been developed to the seventh generation, and had to be five or six people playing drums, Oriental eight tones, combined with a Western man playing bass drums, the Dage nearly two decades in the design evolved into one person can handle things consolidated version. When we tour to France, even a museum like collection, we can see its value.
There is also a former theater singer Wang Yu-jun, always carrying a guitar from south to north, Meine size of the township. Although not understand read music either, but she will be a strong favorite characters into the narrative style of music, with a touch of folk wind, gentle, will be living in the performance of exhaustive and meticulous observation.
From the traditional to new generation, multi-musical appearance of the audio-visual integration in the contemporary world. At the same time through a fast network transmission, you can always watch on the Internet around the world, music, and these elements are constantly breeding deformed. How do I integrate different styles of music, and, through the voice of this generation say belongs to the language, and then with the drama, writing dialogue, which is the responsibility of our times, we need to trace.
2009年12月21日 星期一
張生再煮海之十足歡樂電音派對 2009-12-20 自由副刊
網路成熟、資訊爆炸，社交方式快速改變，許多文化更新速度快到我們還沒了解就退流行，發言權容易取得而變得無關緊要，拷貝的訊息隨處可見。##CONTINUE##表面上是個資訊發達的年代，但卻因為複製的輕易變成一個大一統的訊息垃圾場。
在這樣的環境之下，人其實容易被大趨勢帶著走。從這幾年學生的作業與報告可以看出來，大家抓的貼的都差不多，創意與思考漸漸看不見，這是我們所處的現代。
從問題提煉出風格
每個年代都有自己需要面對的問題，換句話說也會因為這些不同而造就自己的文化風格。回首看看過往我們所經歷的，總有一些跨越了多個時代的作品，在各各不同的時間點上以當代的形式再次呈現在人們面前。
《羅密歐與茱麗葉》在90年代以YA片的形式再次擄獲人心，2005年《牡丹亭》也被拉進了現代劇院與世人相見。再呈現一事對於閱聽者是某種層面的動搖，而對創作者而言是拿捏新與舊之間的調和，這過程中能不能呈現出當代該有的特質，留下該有的時代標籤，讓舊有的在新的環節中繼續發酵，應該是一件關乎傳承的重要課題。
在我自己的樂團好客樂隊中，傳統國樂如何在保有特質的狀況下呈現出新的風貌，現代樂器如何扮演一個平衡的媒介是相當重要的。傳統與現代器樂本身的特性在彼此相互模仿演奏法之下，往往變成原本領域中的四不像。常聽到演奏國樂的老先生們說我們的胡琴手蕭詩偉演奏的不是國樂，也常有年輕人說我們根本不是搖滾，但卻也因為如此創造了獨一無二難以模仿的音樂特質。
如何延長作品的效應
詩人夏夏約我做一場在土地公廟前演出的舞台劇《煮海的人》。但當她提起張生煮海這個故事的時候，我其實是沒有印象的。尋問google大神之後，記憶的源頭應該是20年前每週六中午台視的「中國民間故事」與漢聲出版社的《中國童話故事》。《中國童話故事》是六年級的我重要的閱讀經驗，每晚一個故事讓我童年睡前那段記憶十分的美好。在昏黃的床頭燈下，米老鼠的睡衣，還有空氣中淡淡的電蚊香味，那個時刻想像力在那舒適的床上放肆而專注。
閱讀是有年紀的。並不是說有哪些閱讀需要發生在哪個年齡比較好，而是閱讀本身會留下年齡的標籤。五歲時的小叮噹跟三十五歲時的哆啦A夢在我身上留下了不同的痕跡 。
愛上海龍王女兒的年輕張姓書生，藉由高人法器的協助，煮了東海懲治了平時興風作浪的龍王，最後有情人成眷屬，主角有了完美結局。據說這是元朝的戲劇，不過又是海邊，又是龍王的，覺得漢人味十足，心中元朝的童話應該是殺下來的馬皮如旋風一般捲走了老父的女兒，消失在荒涼的大漠中這樣的情境才對。
在時間的流動下，作品不斷地與閱讀者發生關係，留下了許多故事支線，成為各個生命經驗中的香料或是主軸。一本書、一首詩左右了一個人生的故事不斷上演，作品的生命其實是與閱讀者在一起的。
長大後自己身為一個對社會無直接貢獻的創作人，當我在執行各樣計畫時，總是會隱約想起小時候閱讀時的感覺，執著於如何讓作品能有綿延的長尾效應，或是延續生命中自以為的美好價值。
土地廟前野台開演
幾年來隨著好客樂隊走唱，無論是地方上重要的媽祖廟，或是田埂邊小到會被忽略的三山國王，對好客來說是演出與活動主要的地點。但是，在這個場域中要導入現代戲劇，著實難翻出一個標準的想像，光是舞台旁邊釣蝦場燈的亮度和「董ㄘ董ㄘ」的音樂聲就讓我打了好幾個問號。
野台演出需要一種強度，強到將周邊影響排擠在外的程度。試看我們台灣在地的野台文化，哪個不是生猛有力？廟宇在地方上的意義與功能往往超乎我們的想像，無論是以往或是現代，廟宇的文化活動力總是緊咬著時代脈動。說它保持文化遺產也好，或是文化再造也好，至少在我的印象中廟宇這方面的強度一直都維持在一個濃度裡。
就因為如此，當一個非廟宇系統的演出要進駐其中時，所需面對的環節與抗力是複雜萬分，就連音樂統籌的工作都需要做好功課。南北管是閩粵一帶生活中的重要音樂類型，而北管生猛的性格在野台文化中不斷轉型，如演化一般，上了街頭就加上擴音器，有了獅陣就加入粵派獅鼓，多了經文團就編寫齊唱分部，甚至到最近我還看過辣妹拉丁鼓，萬千繽紛目不暇給。在北管身上看見將外力化為內力的多元包容，凶悍的創新嘗試，這已經扎扎實實是台灣的在地文化，全世界只有我們有。
傳統與現代的融合
因此傳統與現代的融合便勢在必行。在音樂風格多元的獨立樂壇中，多年來大家所熟知的音樂人林強，從出道以來每個時期始總是有能力牽引著當代大眾音樂的走向：無論是最早的《向前走》，還是中期多元的《娛樂世界》，一直到目前電子化的《驚蟄》。近期的音樂大多具有強烈的畫面感，雖然形式上隨著時代演變，但強烈的敘事核心始終不曾動搖，扎扎實實地傳遞著他的佛學態度與人文關懷。
也曾在「地下社會」看過年輕世代的高科技電子樂團「不熟的朋友派對」表演，主打派對電音，但這麼說其實刻意縮小了他們多元的音樂內容。在消費性電子舞曲的世界中，大部分都是DJ加一台trun table就搞定一切，真槍實彈器樂上場的少之又少。「不熟的朋友派對」踏著器樂能力的起點出發，集中火力在舞曲的環節中，這種以專題為主軸的音樂十分值得關注。
好客樂隊的鼓手鍾成達以及歌手陳綺貞的專輯製作人鍾成虎，這兩個兄弟都對台灣音樂貢獻非凡。達哥從早期的觀子音樂坑、交工樂隊，一路到現在的「好客樂隊」，除了在音樂上的創作以外，台灣音樂的文化史上應該也要留下他的大名。他投入很多的心血在客家八音鼓的設計與演化，無論是軟體或硬體。集合東西方的「達鼓」已經發展到第七代了，原本要五、六個人演奏的東方八音鼓，加上一個人演奏的西方爵士鼓，在達哥近二十年的設計中演變成一個人就可以搞定的東西合併版。當我們巡演至法國時，甚至有博物館想館藏，可見其價值。
也有劇場出身的歌手王榆鈞，總是背著一把吉他從南到北，吟遊大小鄉鎮。雖然不懂五線譜，但喜愛文字的她將強烈的敘事風格融入音樂中，帶有一絲民謠風的溫柔，將生活中細緻的觀察表現無遺。
從傳統到新世代，多元的音樂樣貌融合在當代的視聽世界裡。同時透過快速的網路傳播，隨時可以在網路上觀賞世界各地的音樂，而這些元素又不斷的繁殖變形。要如何整合不同風格的音樂，並且透過這樣的聲音說出屬於世代的語言，進而與戲劇、文字對話，這也是我們的時代責任，我們必須留下痕跡。
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